征服宇宙!!
Not many bands would make the bold claim of being the worst band in the universe, but 八十八顆芭樂籽 88balaz have made a motto out of this throughout their 20-plus-year career. This also carries over to their ethos of making uncanny music with an earnest attitude; a no-frills approach while embracing the old school tenants of rock ’n’ roll.
Formed in 1996, the band’s Mandarin name (pronounced as "ba shi ba ke ba le zi" in Chinese) simply translates to 88 guava seeds. Lead singer Balaz Lee initially wanted to take a poke at a popular Mandarin tongue twister 44 Stone Lions (pronounced as "si shi si zhi shi shi zi"). The tongue twister not only gave the band a memorable name, but 44 Stone Lions also went on to become one of the band’s album names. Musically, 88balaz were inspired by the likes of Guns N' Roses and Nirvana, which made the band’s sound a thick blend of blues rock, noise rock, and garage rock. In addition, Balaz Lee has a deep and rough voice that he often screams with, which fits perfectly with the band’s sound.
Taiwan experienced a wave of rock music at the turn of the millennium. This was when 88balaz found its footing in the emerging indie music scene. Often touted as Taiwan’s take on Woodstock and Coachella, the Spring Scream and Ho-Hai Yan music festivals were important to the band’s career: They played for 17 years consecutively at the former and being awarded top prize at the latter in 2001.
After rising to fame at Ho-Hai-Yan, many record labels expressed interest in signing the band. Though these offers seemed lucrative, they also meant the band would most likely be given pressure to pursue a more mainstream and commercial sound. Believing that the band should maintain complete creative control, Balaz Lee turned down the offers and the band has continued true to their indie roots. Though the band released their first full-length album Tsao Bao's Ambition back in the year 2000, it would take another eight years for the band’s second release 44 Stone Lions in 2008. As with most up-and-coming indie bands, 88balaz was also a victim of members coming and going. It wasn’t until 2012 that the band finally came to a more stable line-up, as bassist Kuan Ling, drummer DongYu Lee, and guitarist Bluez Lee became permanent fixtures in the band. 2010 and 2012 both saw releases from the band, with two albums closely associated in name: Worse Than an Animal and Handsome Than an Animal. The first being a critique of the indie scene based on years of observation by Balaz Lee, while the second tackled the difficult and oftentimes emotional creative process of writing music. The single “Handsome Than an Animal” has also become a staple of the band’s live sets.
Balaz Lee has always brought a touch of dark humor to his lyrics, while also being outlandishly wild in imagination and on occasion intentionally ambiguous. Songs such as "Viscera Party" and "JIMI & MARY" demonstrate this perfectly, drawing praise from both fans and critics alike. To commemorate the band’s 20th anniversary, they released the album Punk Floyd in 2016. The 10 songs on the album each represent a chapter that adds to the fictional titular young punker's cynicism. The album not only marked the band’s maturity in its age but also demonstrated how the band was also growing more mature creatively. For example, "Sun Chaser" a single from the album that was made into a music video, paid homage to the late poet Leonard Cohen, building the song upon one of his famous line of verse: "There is a crack in everything. That's how the light gets in". The song and video went on to become widely discussed within the local indie scene.
88balaz has an extensive performance schedule, as the band usually plays more than one hundred shows yearly. They have played more than a thousand shows to this date, quite a rare feat for Taiwanese indie bands to achieve. Often thought to be a band better seen live, they have continued to craft and build a strong stage presence throughout their career. This is also evident by the fact that they won two consecutive Golden Indie Music Awards for Best Live Performance. The band also has a knack for alcohol and all things B-grade, derived from the term “B-movies.” Their passion for alcohol has led them on a special unplugged tour around Taiwan, playing at any brewery that was willing to have them perform. Extending the B-grade concept, they have also been promoting their own “B festival”, carving out a market for festival goers with extremely cheap tickets and lots of fun.
Aside from continued touring in Taiwan, the band has also embarked on numerous over-seas tours, with the most recent being the B Walkman tour that spanned from Asia to Europe. Even after so many years, the band has stayed true to their indie roots, while never straying too far from the DIY spirit that helped them build a bond with fans.
同時也有1部Youtube影片,追蹤數超過1萬的網紅translation,也在其Youtube影片中提到,#2007年にアトラス、ランカースが開発し、アトラスが発売したRPG。"現在の技術でWizardryを製作したらどうなるか”がコンセプト。 BGMは古代氏が作曲。Directorの新納氏と打ち合わせつつ作成。古代氏はシンセで、且つ今風な作曲を始めたが、内蔵音源への拘りをもつ新納氏は「昔の古代さんの...
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88 rising festival 在 translation Youtube 的最佳解答
#2007年にアトラス、ランカースが開発し、アトラスが発売したRPG。"現在の技術でWizardryを製作したらどうなるか”がコンセプト。
BGMは古代氏が作曲。Directorの新納氏と打ち合わせつつ作成。古代氏はシンセで、且つ今風な作曲を始めたが、内蔵音源への拘りをもつ新納氏は「昔の古代さんの曲で」と、一貫した志を見せる。その時古代氏がたまたま持ち出していたPC-88を使用しopn音をサンプリングしてみたところ好感触に。ストリングスを避ける方向(FF4で印象が強かった故の判断)で作曲開始。ここで、古代氏所有の音色セットからソーサリアンのものをチョイス(音色コンバートサンプリング作業は新井氏が行った)。ただ、DSにコンバートされたFM音色で作られた曲には音源チップで出来た微細な表現は出来ず、その差違をDSのpcmで補い、全曲完成後、チューニング作業を施して完成。尚、作曲環境は5インチディスク(20年以上前のもの)の使用に不安が有る為、PC-88上では行わずNuendo3、HALIONで行った。
ディレクター :新納一哉氏
サウンドサンプリング・効果音:新井武氏
作曲:古代祐三氏
Manufacturer: 2007.01.18(J),2007.05.15(U),2008.06.06(EU),2008.08.14(AU) Atlus / LANCARSE
computer: nintendo ds
Hardware: 16channel ADPCM/PCM (Max 8 channels can be set to PSG)
Music sampling: Takeshi Arai
Sound Effect: Takeshi Arai
Composer: Yuzo Koshiro
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00:00:00 01.Spinning the Tale (物語は紡がれる/オープニング)
00:00:33 02.Town - That Name Was Engraved Into the 100th Volume! (街景 その名は百巻目に刻まれた/街施設 冒険者ギルド)
00:03:35 03.Labyrinth I - The Green Green Woodlands (迷宮I 翠緑ノ樹海/ダンジョンB1F~5F)
00:07:55 04.Battle - Initial Strike (鉄華 初太刀/通常バトル 前編)
00:11:12 05.Battle - Get the Treasure (鉄華 至宝を得よ/バトル終了)
00:11:56 06.Labyrinth II - The Vast Primeval Hidden Grove (迷宮II 原始ノ大密林/ダンジョンB6F~10F)
00:15:07 07.Town - The Roadside Trees Outside the Window (街景 窓越しの街路樹/街施設 エトリア広場 昼)
00:16:22 08.Battlefield - A Sudden Gust of Wind Before Your Eyes (戦場 眼前に突風/f.o.e バトル)
00:18:36 09.Town - The Lounge Where We Speak of Tomorrow (街景 明日語りのラウンジ/街施設 エトリア広場 夜)
00:20:13 10.Labyrinth III - The Thousand Year Old Blue Woodlands (迷宮III 千年ノ蒼樹海/ダンジョンB11F~15F)
00:24:13 11.Scene - Red and Black (情景 赤と黒/イベント 恐怖)
00:26:36 12.Battlefield - Dyed in Blood (戦場 朱にそまる/ボスバトル)
00:29:38 13.Town - Festival of Worship (街景 まつりごとうやうやしく/街施設 執政院ラーダ)
00:31:39 14.Labyrinth IV - The Withered Forest (迷宮IV 枯レ森/ダンジョンB16F~20F)
00:35:46 15.Battle - Destruction Begets Decay (鉄華 討ち果て朽ち果て/通常バトル 後編)
00:38:00 16.Labyrinth V - The Capital of Shinjuku (迷宮V 遺都シンジュク/ダンジョンB21F~25F)
00:41:45 17.Battlefield - Rising Again (戦場 そびえたつ双つ/レン&ツスクルバトル)
00:44:40 18.Scene - Blue and White (情景 青と白/イベント 真実)
00:46:59 19.Battlefield - Throne of Creation (戦場 天地の玉座/ラストボスバトル)
00:50:03 20.The Story of the Hero's Birth Continues (英雄は生まれ物語は続く/エンディング 1)
00:54:02 21.Town - Bird-Shaped Vane on the Roof (街景 三角屋根の鶏飾り/街施設 エトリア広場 昼 2)
00:55:17 22.Labyrinth VI - The Cavern of True Red (迷宮VI 真朱の岩窟/ダンジョンB26F~30F)
00:59:11 23.Battle - Ecstasy (鉄華 恍惚/通常バトル 最終層)
01:01:23 24.Battlefield - Scatter About (戦場 散るもかなり/隠しボスバトル)
01:03:33 25.400 - The Adventure Has Ended for Your Group (キミ達の冒険は終わった/エンディング 2)
01:05:17 26.Until the Dawn of Another New Morning (また新しい朝まで/ゲームオーバー)
01:06:32 27.The Peace Between Mounds (つかの間の安らぎを/ジングル 宿泊)
01:07:07 28.Reparation (報償/シングル イベントクリア)
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